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Vol 2: General Fiction

Vol 3: Genre Fiction

Vol 4: Writing, Editing and
Publishing

Vol 5: Non-Fiction, Poetry
and Children

Vol 6: Erotica

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

plays

 

Plays

65 ideas, ebook (PDF), 25 pages
A4 format (8.5" x 11.5"), £2.50

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Or buy the complete Volume 2
(Fiction, Novels, Plays, Screenplays,
Short Stories, Storylines)
1,100 ideas, 408 pages, £34.99

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This book includes:

  • The easiest way to construct a play
  • 7 ideas for great new plays
  • How to produce your own play
  • How to get funding
  • Tricks of the trade
  • What to do if there aren't enough actors available
  • How to make sure your play has audience appeal
  • How to guarantee applause
  • How to get the audience involved
  • Breaking the fourth wall
  • How stage time differs from real time
  • Working with a narrator
  • Behind the scenes tips
  • Special effects ideas
  • Why controversy sells - and what to do about it
  • How to adapt a novel into a play
  • The importance of scale
  • Using a large stage, and using a small stage
  • How to create more space on stage
  • The importance of off-stage timing
  • What to do if your play is rejected
  • Why it's important to listen to the audience
  • How to help local actors to grow
  • Plus lots of tips, tricks and clever ideas for writing and staging plays that will get everyone talking
  • And much more - far too many great ideas to list here!

Sample idea: Characters being themselves

Stage plays are character-based. The plot arises from who the characters are, the dilemmas they face, and what they do to resolve them. It's worth making a list of the sort of characters you'd like to put in your play, and the sorts of things that might happen if they were there. For example, a cheat or a liar would be found out. A thief would get caught. Someone who cuts corners, or someone who is overly pedantic might find himself in an awkward situation of his own making. A man with a fondness for the ladies
would get into trouble over a lady. Someone with a drinking problem might find his dilemma arising from something he did (or failed to do) while he was drunk.

There are thousands more character types, all of which have the potential to get themselves into trouble because of who they are and what they do while just being themselves. They're all great characters for your play. You only need a few characters like this and the play will practically write itself, as you let them find their way into trouble and watch as they try to get out of it again.

[EXTENSION] You might like to try coming up with a stock of twenty or so
strong characters and then mix and match perhaps six of them at random to see what sort of stories arise. Each random set of characters will work for and against each other to solve their individual dilemmas, and create and solve group dilemmas, while some of them get deeper and deeper into trouble. Will they resolve their dilemmas by the end? Or will their problems remain, or be even worse? That's up to you. They will certainly be very different people by the end though. Their efforts to solve their problems will have taken a toll on them, changed their outlook or attitude, perhaps altered their behaviour, broken bad habits, started new ones, and so on. But they might have a whole new set of problems. And the final curtain might fall just as a major new dilemma is revealed - one that arises out of the things that happened earlier.

 


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